My new book The Age of Paradise is scheduled for release next week. Readers of my blog might like a taste of what to expect, so here is a summary of its content and the contribution it seeks to make in assessing our post-Christian culture today.
The book is the first of a four-volume history of Christendom, a subject defined as a “civilization with a supporting culture that directs its members toward the transformation of the world.” At a time of renewed interest the future of Western culture, it traces that culture to the beliefs and values of the early Church. Many historians regard the Renaissance or Enlightenment as the definitive moment in the rise of the West, while others locate it in the so-called Middle Ages (I try to avoid the term) when a distinctive Roman Catholic Christianity prevailed in western Europe. I have looked instead to the ancient Christianity of the first millennium. There I find within the East especially the foundations of what the West would one day become.
At the heart of the narrative is a culture of “paradise,” an experience of the kingdom of heaven that saturated the cosmology and anthropology of traditional Christianity. This experience was manifested in the community ideal of agape love. It was articulated in a theology emphasizing “deification,” the process whereby human beings take on the very attributes of God. It was publicly observed in statecraft, where a principle of “symphony” held the government to a principle higher than sheer power. And it was expressed especially by the arts of iconography and temple architecture, which vividly proclaimed the presence of the divine on earth. I argue that one of the core values of modern Western culture—the utopian transformation of the world—is to be located first of all in the paradisiacal culture of Christendom during its first millennium.
The Age of Paradise is the first part of a series entitled The Rise and Fall of What the West Once Was. It appears in the wake of successful and provocative publications by conservative Christian authors such as Rod Dreher’s best-selling The Benedict Option, R.R. Reno’s Resurrecting the Idea of a Christian Society, Anthony Esolen’s Out of the Ashes, and Charles Chaput’s Strangers in a Strange Land. It addresses the same audiences as these excellent works, but pursues a direction of cultural inquiry that is largely lacking in them: the deep and often neglected history of an “other” West that is, in the end, very different than the one to which we are accustomed. That West is the Christendom that preceded modern times. The Age of Paradise is being released with the conviction that in order to address and perhaps even solve today’s “crisis of culture” it is necessary to rethink where it came from and where in the future it might go.